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Theses/Dissertations from 2010

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Turning Back Time: Duration, Simultaneity, and the Timeless in Fitzgerald and Fincher's Benjamin Button, Nathan Wagner

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Opening the Window to Edward Whittemore: Systems that Govern Human Experience, Joseph L. Winland Jr.

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Traveling Light, Sarah L. Winterfield

Theses/Dissertations from 2009

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Representations of Labor in the Slave Narrative, Agnel Natasha Barron

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Lost Tramps & Cherry Tigers, John Brett Bender

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Heroes with a Hundred Names: Mythology and Folklore in Robert Penn Warren's Early Fiction, Leverett Belton Butts, IV

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Eyes That Seen Too Much, Dawn Cloud

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"Ah Ain't Brought Home a Thing but Mahself": Cultural and Folk Heroism in Zora Neale Hurston's Their Eyes Were Watching God and Ellen Douglas' Can't Quit You, Baby, Kimberly Giles Cochran

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Static, Yet Fluctuating: The Evolution of Batman and His Audiences, Perry Dupre Dantzler

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Protestants Reading Catholicism: Crashaw's Reformed Readership, Andrew Dean Davis

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Exploring the Factory: Analyzing the Film Adaptations of Roald Dahl's Charlie and the Chocolate Factory, Richard B. Davis

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Naming Experience and Revealing Sentiment: The Archetypal Journey in Edna St Vincent Millay's "Renascence", Jennifer Rose Forsthoefel

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Not Unlike Drowning, Kristen Joyce Gottstein

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The Myths of the Self-Made-Man: Cowboys, Salesmen and Pirates in Tennessee Williams' the Glass Menagerie and Arthur Miller's Death of a Salesman, Camille Gros

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The Importance of Being Oscar: A Performance Studies Inquiry of Wilde's Literary Women, Sydney Nicole Lanier

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Wake: A Novel, Liane LeMaster

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To Keep on Knowing More(?): Seminar XVILL, The Other Side of Psychoanalysis, John Lowther

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"Check with Yo' Man First; Check with Yo' Man": Perry Appropriates Drag as a Tool to Recirculate Patriarchal Ideology, Timothy Scott Lyle

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Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films, Melanie McDougald

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Absent Characters as Proximate Cause in Twentieth Century American Drama, Sarah Emily Morrow

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A Critic in Her Own Right: Taking Virginia Woolf's Literary Criticism Seriously, Yvonne Nicole Richter

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The Necessity of Narrative: Personal Writing and Digital Spaces in the High School Composition Classroom, Catherine Coker Rumfelt

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Delirium Tremens, Charles Austin Segrest

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Modernist Aesthetics of "Home" in Virginia Woolf's Mrs. Dalloway and Rebecca West's The Return of the Soldier, James Harper Strom

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Taking Eudora Welty's Text Out of the Closet: Delta Wedding's George Fairchild and the Queering of Saint George, James R. Wallace

Theses/Dissertations from 2008

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Performing Passing: Theatricality in Zoë Wicomb's Playing in the Light and Nella Larsen's Passing, Jennifer L. Apgar

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Slow Spring, Sara Bartlett

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Barb & Debbie, Amber Nicole Brooks

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Shooting Hummingbirds in the Mimosa Tree: Stories from One Perfectly Normal Family, Jody Elizabeth Brooks

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Clarice Lispector's an Apprenticeship, or the Book of Delights: The Role of Silence in the Cultivation of Intimacy", Susan Katherine Dulaney

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A Rhetorical Analysis of an American University's Diversity Policy, Adam C. Faust

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Daisy Chain, Shelley Helms Fleishman

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Thinking Back through Our Fathers: Woolf Reading Shakespeare in Orlando and a Room of One's Own, Maureen Gallagher

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Fidelity, Corey Douglas Green

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Can the Wound Be Taken at Its Word?: Performed Trauma in Don DeLillo's The Body Artist and Falling Man, Brett Thomas Griffin

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Wees Gonna Tell It Like We Know It Tuh Be: Coded Language in the Works of Julia Peterkin and Gloria Naylor, Crystal Margie Hills

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Cotton Mather's Relationship to Science, James Daniel Hudson

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Where the Whip-poor-Will Blows, Robert Perry Ivey

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"You Done Lost Yo' Mind Ain't No Such Thang as AAVE": Exploring African American Resistance to AAVE, Tiffany Marquise' Jones

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Dread Talk: The Rastafarians' Linguistic Response to Societal Oppression, Carol Anne Manget-Johnson

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Transgenerational Ghosting in the Psyches and Somas of African Americans and their Literatures, Sonya Lynette McCoy-Wilson

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Illuminating the Queer Subtext: the Unmentioned Affairs in Willa Cather's O Pioneers!, Nora Neill

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The Sound the Wind Makes, Robert Pfeiffer

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Divine Destiny or Free Choice: Nietzsche's Strong Wills in the Harry Potter Series, Julia Rose Pond

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The Morphic Orator: Transmogrified Delivery on the Audio-Enabled Web, Brian Johnson Snead

Theses/Dissertations from 2007

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Shift, Amanda Suzanne Arnold

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Establishing Pedagogical Practicality by Reconnecting Composition Studies to the Rhetorical Tradition, Jeffrey Alan Bacha

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Teaching Media Literacy in the Composition Classroom: Are We There Yet?, Misty Dawn Carmichael

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Building Nest, Laura Carter

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Tangerines in a Tomato Patch, Michael Cooper

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Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club, Andrew Steven Delfino

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Levelling Up: Designing and Testing a Contextual, Web-based Dreamweaver 8 Tutorial for Students with Technological Aptitude Differences, Alicia Nicole Hatter

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A Meaning-Full Bouquet: Margaret Fuller's and Elizabeth Stoddard's Use of Flowers to Grow Feminist Discourse, Corinne Kopcik

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Confluence, Jessica E. Lindberg

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The King of Babylon and Other Stories, Samuel Miller

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From Superman to Superbland: The Man of Steel's Popular Decline among Postmodern Youth, Timothy Aaron Pevey

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Satirical Inquiry, Gina Henderson Prescott

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Medias Res, Temporal Double-Consciousness and Resistance in Octavia Butler's Kindred, Roslyn Nicole Smith

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An Erratic Performance: Constructing Racial Identity and James Baldwin, Natasha N. Walker

Theses/Dissertations from 2006

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The Anglo-Saxon Peace Weaving Warrior, Anthea Rebecca Andrade

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Theory in Culture: Toward a Psychoanalytic Criticism of Advertising, Robin L. Bellinson

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Jazz Babies, a Femme Fatale, and a Joad: Women and the Automobile in the American Modernist Era, Jessica Bremmer

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Two Laureates and a Whore Debate Decorum and Delight: Dryden, Shadwell, and Behn in a Decade of Comedy A-la-Mode, Patricia Ann Chapman

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Finding Love among Extreme Opposition in Toni Morrison's Jazz and Eudora Welty's The Optimist's Daughter, John David Clark

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Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita, Jennifer Elizabeth Green

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A World of Our Own: William Blake and Abolition, Lisa Karee Parker

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Tonight is the Night I Come Unglued, Laurah Norton Raines

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Melville's Quest for Certainty: Questing and Spiritual Stability in Herman Melville's Moby-Dick, Damien Brian Schlarb

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Aspects of King MacLain in Eudora Welty's The Golden Apples, James Hammond Shimkus

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Walter M. Miller, Jr.’s A Canticle for Leibowitz: A Study of Apocalyptic Cycles, Religion and Science, Religious Ethics and Secular Ethics, Sin and Redemption, and Myth and Preternatural Innocence, Cynthia M. Smith

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Being Incommensurable/Incommensurable Beings: Ghosts in Elizabeth Bowen’s Short Stories, Jeannette Ward Smith

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Unveiling Objectification: The Gaze and its Silent Power in the Novels of Frances Burney, Jennifer Joanne Wingfield

Theses/Dissertations from 2005

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Marginally Male: Re-Centering Effeminate Male Characters in E. M. Forster’s A Room with a View and Howards End, Damion Clark

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Being Towards Death of a Salesman, Amre L. Klimchak

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Determining Quality through Audience, Genre, and the Rhetorical Canon: Imagining a Biography of Eudora Welty for Children, Cindy Sheffield Michaels

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Savage Ballet, Leslie Wortman