Dissertations from 2007
Snakes and Funerals: Aesthetics and American Widescreen Films, John Harper Cossar
U.S. Newspaper Representation of Muslim and Arab Women Post 9/11., Nahed Mohamed Atef Eltantawy
Reality & Effect: A Cultural History of Visual Effects, Jae Hyung Ryu
Re-Mediating the Israeli-Palestinian Conflict: The Use of Films to Facilitate Dialogue, Elana Shefrin
Traveling through Space: Stylistic Progression and Camera Movement, Laszlo Strausz
Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness, William Keith Tims
Wired Valentines and Webs of Love: An Examination of People’s Attitudes and their Intentions to Use the Net to Form Romantic Relationships, Raiza A. Toohey
Dissertations from 2006
Foreign Policy Rhetoric for the Post-Cold War World: Bill Clinton and America's Foreign Policy Vocabulary, Jason Allen Edwards
Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising, Susan Lillian McFarlane-Alvarez
Communicating Cosmopolitanism:An Analysis of the Rhetoric of Jimmy Carter, Vaclav Havel, and Edward Said, Rasha I. Ramzy
The South Korean Mediascape: State, Civil Society and the Implications of Regional Political Economy for Cultural Transformation, Woongjae Ryoo
An Open Source Technoscape in India: Motivations, Manifestations, and Speculations, Sumitra Srinivasan
Freedom and Terror: President George W. Bush's Ideograph Use during his First Term, Joseph Michael Valenzano III
Dissertations from 2005
America's #1 Fan: A Rhetorical Analysis of Presidential Sports Encomia and the Symbolic Power of Sports in the Articulation of Civil Religion in the United States, Michael David Hester