By calling for negotiating the ethics in the stand-up comedy, this thesis, first, focuses on the discussions around the issue of (in)appropriate comedic language in the stand-up shows that came out after 2017, that are Nanette by Hannah Gadsby, Sticks&Stone by Dave Chapelle, Right Now by Aziz Ansari, and Rape Jokes by Cameron Esposito. In doing so, it provides an analysis of how stand-up stages, in the face of Trump era and #metoo movement, have become a space of metacomedy, by enabling us to rethink about the form and ethics of comedy. Through its reflection on Hannah Gadsby’s Nanette, the thesis attempts to contribute to a reconceptualization of our understandings of feminist humor and its theories as well as to rethinking about humor’s possibilities and shortcomings in terms of its capacity to bring about teaching/unlearning moments. Finally, the thesis calls for an ethical negotiation towards otherness in comedy by proposing an affective pedagogy of feminist humor.