Orphan Black is a television series rich with complex female clone characters and themes of surveillance and monster/monstrous feminine. I explore these two main themes through an analysis of the on-screen action in several characters’ story arcs. I am examining Orphan Black while revisiting Donna Haraway’s “A Cyborg Manifesto” and considering the genres of horror and science fiction. I argue that the representation of the clones destabilizes woman as Other in terms of female monstrosity, expands the cyborg metaphor, and contributes to the feminist analysis of science fiction.