Existing scholarship on Thomas Middleton and Thomas Dekker’s The Roaring Girl, or Moll Cutpurse primarily focuses on the title character and her unconventional gender presentation. This highlighting of Moll deemphasizes the other intriguing aspects of the play, including its thematic concerns involving issues of prejudice, reputation, gender, class, marriage, and sexuality. This thesis takes the spotlight off of Moll and shines it instead on a selection of other significant characters—including Sir Alexander Wengrave, Sebastian Wengrave, Mary Fitzallard, and a grouping of minor characters who have earned this play its designation as a city comedy: Laxton, Goshawk, the Openworks, and the Gallipots.