Date of Award
7-18-2022
Degree Type
Dissertation
Degree Name
Doctor of Philosophy (PhD)
Department
Moving Image Studies
First Advisor
Ethan Tussey, PhD
Second Advisor
Jennifer Barker
Third Advisor
Greg Smith
Fourth Advisor
Lynee Gaillet
Fifth Advisor
Aku Kadogo
Abstract
The Radical Archive of Performance: From Acts to Archives in Black Preservation explores issues of the archive and preservation in Black performance culture. This research project asks: if today’s professional archival and preservation practices are adequate for the identification, preservation, and accessibility of Black epistemologies materialized through performance; how strategies of resistance and improvisation work with or against notions of access and preservation in archival science; and if Tyler Perry Studios can be considered a radical archive of Black performance. After Cedric Robinson, Saidiya Hartman, and Fred Moten, and in the spirit of the Black Radical Tradition, I argue improvisation, discordance, and trace as the conceptual reserves of Black epistemologies and demonstrates radical acts of preservation in performance. This project is conceptualized as a way of thinking through archival and curatorial challenges when working with
Black performance immateriality and ephemerality. Using archival science, production studies, and performance theory, I illustrate ways Black production cultures, from art exhibitions to Film/TV productions, navigate issues of materiality in the archive. In order to investigate the quality of preservation of Black epistemologies in contemporary Black performance, I use Tyler Perry Studios production culture as a case study to examine objects, rituals, and spaces using a Media Industries method.
DOI
https://doi.org/10.57709/T4Y2-CD93
Recommended Citation
radical, shady r., "The Radical Archive of Preservation: From Acts to Archives in Black Production Culture." Dissertation, Georgia State University, 2022.
doi: https://doi.org/10.57709/T4Y2-CD93
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