Title
The Birth of Tragedy out of the Spirit of Dance: Nietzschean Transitions in Nijinsky's Ballets
Date of Award
Summer 8-17-2012
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
Religious Studies
First Advisor
Dr. Louis A. Ruprecht, Jr.
Second Advisor
Dr. Molly Bassett
Third Advisor
Dr. Melanie Pavich
Abstract
This project compares the career of the early 20th century ballet dancer, Vaslav Nijinsky, to Friedrich Nietzsche’s theory of the tragic arts. In The Birth of Tragedy (1872) and elsewhere, Nietzsche argues that artists play the central role in communal mythmaking and religious renewal; he prescribes the healing work of the “tragic artist” to save modernity from the decadence and nihilism he identifies in scientism, historicism, and Christianity. As a dancer, and especially as a choreographer for the Ballets Russes (1912-1913), Nijinsky staged a kinetic response to modern culture that not only displayed shared concerns with Nietzsche, but also, as I argue, allow him to be interpreted as Nietzsche’s archetypical tragic artist. By juxtaposing the philologist-philosopher and dancer-choreographer as artists, I situate the emergence of Modern Art as a nascent movement still bound to Romanticism even while rebelling against it, and as an attempt to reinterpret art in a mythic (and thoroughly modern) context.
DOI
https://doi.org/10.57709/3235333
Recommended Citation
Levine, Sarah, "The Birth of Tragedy out of the Spirit of Dance: Nietzschean Transitions in Nijinsky's Ballets." Thesis, Georgia State University, 2012.
doi: https://doi.org/10.57709/3235333