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Dissertations from 2021

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THE PARATEXT IN THE AGE OF ITS TECHNOLOGICAL REPRODUCIBILITY: EXAMINING PARATEXTUALITY IN MODERN MASS MEDIA, Erik K. Clabaugh

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An Ink Monster, A Goose, and an Office Worker Walk Out of the Game: Engaging the Player Aesthetic Response Through Feminist and Queer Processes, Ashley P. Jones

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Universe Diving: Phenomenologically Feeling the “Universeness” of DC and Marvel Comics, Jayson W. Quearry

Dissertations from 2020

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Ghosting Images: Haunted by and Haunting Filmic Images, Charles Fox

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Assembling An End: The Aesthetic Categories of Finitude, Cameron Kunzelman

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The Meat of the Text: Posthuman Aesthetics in Contemporary Cannibal Movies, Ece Üçoluk Krane

Dissertations from 2019

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The Remaking of Asian Horror Films in Hollywood: Semiosphere, Authorship, and Photograph, Young-joon Cho

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Narcisscinema: Selfie Culture and the Moving Image, JENNY Gunn

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Artistic Gestures: Choreography in the Artist's Portrait Film, Kristin D. Juarez

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Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats, Soo keung Jung

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Figures of Conspiracy: Finance Capital and the Aesthetics of Speculation, John Roberts

Dissertations from 2018

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Autonomous Exchanges: Human-Machine Autonomy in the Automated Media Economy, Christopher Cox

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SOUNDING ANEW: ANASONICITY IN CONTEMPORARY GLOBAL CINEMAS, Arzu Karaduman

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Ghost Hunting in the New Millennium: A Trans-Media Theory of Cycle Studies, Matthew Smith

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Points of Reflection: A Case for Moral Engagement Across Video Game Time and Space, Ryan C. Thames